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Uniform & workwear · 3 weeks pilot

Your catalogue, turned into client-ready offer sheets

A one-line brief in chat comes back as a branded offer sheet: your garments, the client's colours, your sheet format. It runs today for a uniform manufacturer, in Telegram, in Serbian and English.

Read the case →
One brief in chat comes back as this: the manufacturer's own garments in the client's colours, laid out in the studio's sheet format. Open any sheet on this page at full size to read it.

Uniform deals stall at the mock-up

A client can't decide until they see their own people in the uniform, and that picture costs designer hours on every enquiry.

  • Every enquiry costs a designer a day

    A hotel asks for waiters and housekeeping in their own colours. Before anyone signs anything, someone has to mock it up.

  • Catalogue photos don't sell a uniform

    Flat product shots on white don't show a client what their team will look like on the floor, so the decision drags on.

  • Every offer looks a bit different

    Proposals get assembled ad hoc between other work, and the house look drifts from one client to the next.

What a finished sheet looks like

Sheets from live runs on the manufacturer's own client work. The uniforms are products from their catalogue, only the photography is generated, and the layout around it is composited by code.

Kitchen staff as a pair. Sidebar palette, detail close-ups and materials on the left, scenes and both variants of the set on the right.
The same sheet as a single figure, in the portrait format. Both were assembled from the frames below.

On your sheets the top of the sidebar carries your own mark and the foot of it carries your signature. On these two examples ours sits in that slot instead.

The frames behind a sheet

Each one is a separate generation from a real catalogue photo, so a single frame is cheap to redo without touching the rest of the sheet.

Kitchen staff as a pair on one sheet. The same two people hold across every frame of that sheet.
A single figure, for when one variant is enough.
Every sheet also carries three scenes on the job, same person, same uniform.
The set itself, front and back, in the same colours as the photographs above.
Detail close-ups are cropped out of that same render, so the colour on them always matches the uniform being offered.

Everything around the photographs is composited by code: the grid, the header, the colour palette read off the garments used, the materials list, the captions with their Serbian diacritics, and the client's logo. So the sheet comes out the same every time, and a text fix is quick to make.

What comes out of the chat

The layout, the text and the palette block are drawn by code, so they don't drift between sheets. Only the photographs are generated.

A sheet per role
Main shot, three scenes on the job, the set laid out, palette and materials. As a pair (a man and a woman) or a single figure.
Only what you sell
Every garment on the sheet is generated from a photo in your catalogue. Ask for a colour you don't stock and the assistant tells you.
The client's own brand
Give it a link to the client's website and it picks up their real brand colours and logo, then puts the logo on the sheet.
A PDF lookbook
Accepted sheets pack into one catalogue PDF, a page per role, with a QR code back to the product.

How a pilot runs

Three weeks from your catalogue photos to your team using it on live enquiries.

  1. Catalogue intake

    We load your product photos and article codes. After that your team adds new items from the chat by sending a photo and its code.

  2. Your sheet format

    The layout, palette block and captions are rebuilt from your own reference sheet, in your language, down to the diacritics.

  3. Live in the chat

    Your team writes a brief in Telegram and gets the sheet back there. Edits are plain requests: recolour it, swap the waistcoat, redo that one shot.

  4. Handover

    It runs on your infrastructure or ours. Every generation is logged with the items, colours, who asked for it, and which catalogue photo it came from.

What a pilot for one brand covers

One brand, one catalogue, your own sheet format.

  • Catalogue intake: your product photos and article codes loaded and checked
  • Your own sheet format reproduced from a reference sheet you give us
  • The assistant live in Telegram for your team, in Serbian or English
  • Two rounds of visual sign-off on the sheets before handover

The first 30-minute call is free. If your catalogue isn't photographed well enough for this to work yet, we'll tell you on that call, before you've paid anything.

Pilot

3 weeks

Fixed price, quoted on the intro call

In production for a uniform manufacturer

A manufacturer in Serbia has been using it on real client work since July 2026.

Coverage

Sheets for five roles

Waiters, bartenders, chefs, housekeeping and reception, each in the format that role gets in the studio's own catalogue.

Grounded

Every frame from a real photo

The catalogue behind it holds 122 items in their colourways and 364 photographs, and the assistant refuses politely when an item isn't there.

Checkable

A log next to every image

Items, colours, model and prompt version, and the person who asked for it, saved beside the bytes that were delivered.

Read the case →

Frequently asked questions

No. Each frame is generated from a real photo of the item in your catalogue, so the cut, collar and buttons come from the actual product. It will recolour an existing garment when you ask for a colour you don't stock, and it tells you that's what it did.

It doesn't edit the photo you send. You add that item to the catalogue from your photos, with its article code, and the assistant builds offers with it from then on.

You do. It shows the plan first, the garments and the colours it intends to use, and generates only after your go-ahead. A daily cap sits behind that as a second brake.

The conversation runs in Serbian or English. Sheet captions are printed in the language of your template, Serbian diacritics included.

Yes. The photographs come from Google's model, so every generated frame carries Google's invisible SynthID watermark, a marker that the image was made by AI. Separately from that, a log sits beside every delivered image recording the model, the prompt version, the source catalogue item and who asked for it.

Not today. Each customer gets their own deployment with their own catalogue, so we take on a small number of pilots at a time rather than running a self-serve signup.

Wondering whether this fits a catalogue that isn't uniforms? Tell us what you sell.

Free 30-minute intro call

Book an intro call

Tell us what your catalogue looks like today and how offers get made.

Optional. A call is shorter than the email thread it replaces.

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